{"id":3088,"date":"2026-08-01T21:41:05","date_gmt":"2026-08-01T14:41:05","guid":{"rendered":"https:\/\/raresea.vn\/?page_id=3088"},"modified":"2026-08-20T14:34:30","modified_gmt":"2026-08-20T07:34:30","slug":"fiction-fraction-intro","status":"publish","type":"page","link":"https:\/\/raresea.vn\/vi\/fiction-fraction-intro\/","title":{"rendered":"t\u00edch, t\u00e1ch, m\u1ea3nh m\u01a1"},"content":{"rendered":"\n
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fiction, fraction
<\/em>August 07 \u2013 October 04, 2026
L\u00ea \u0110. Chung, L\u00ea Nguy\u1ec5n Minh Nh\u01b0, Nguy\u1ec5n Th\u1ecb Thanh Mai, Huy\u1ec1n D\u01b0\u01a1ng, Thanh T\u00f9ng (Ches), Sophia Mai Brown<\/strong><\/p>\n\n\n\n

Opening Hours: 10:00 \u2013 18:00, Tuesday \u2013 Sunday, or by appointment
Rare Sea \u2013 3 \u0110\u1eb7ng Th\u1ecb Nhu, B\u1ebfn Th\u00e0nh Ward, H\u1ed3 Ch\u00ed Minh City
Free admission<\/p>\n\n\n\n

Rare Sea warmly introduces <\/strong>fiction, fraction<\/em><\/strong>, a group exhibition featuring works by L\u00ea \u0110. Chung, L\u00ea Nguy\u1ec5n Minh Nh\u01b0, Nguy\u1ec5n Th\u1ecb Thanh Mai, Huy\u1ec1n D\u01b0\u01a1ng, Thanh T\u00f9ng (Ches) and Sophia Mai Brown. Through oil painting, lacquer, hand-printed practice, silk and paper, the exhibition brings together distinct visual languages. Here, the flatness of a painting is not a limit, but an invitation into layers of gestures, materials and time that accumulate across surfaces, allowing paintings and prints to hold multiple narratives and histories. Together, these works become visual fables that transmit fragmented narratives about a society still haunted by memories of upheavals, trapped in production, and immersed in material excess. <\/p>\n\n\n\n

fiction, fraction<\/em> begins from whispers: sometimes as intimations from dreams, sometimes as collective silences, tracing shadows on the wall of an abandoned tea factory, lurking beneath urban soil, echoing in the taste of wild plants, lingering between the real and the imaginary. In this turbulent era, what lullabies are better than fables and the realms of the perennial? Where imagined creatures dwell, where scenes of labor unfold as unresolved mysteries, where space and time reverse and humans remain faceless in their naming. In-between these realms, stories that seem disconnected reveal shared histories and collective memories, opening spaces for personal documentation, archival practice, translation, and interpretation beyond official narratives enforced by institutions.<\/p>\n\n\n\n

Neither abstract nor deliberately realistic, the works transmit small, fragmentary stories in visual forms. These minor tales become fables that open not only pathways for escape but also alternative visions of cities, landscapes, and communities. They are stories that have always been there, murmuring faintly beneath the polished layers of the world\u2014where small fractions accumulate into an unfinished landscape that is forever in progress.<\/p>\n\n\n\n

From urban materiality and colonial archives rooted in maps, soil, dust and oral histories, Sophia Mai Brown<\/strong> and Thanh T\u00f9ng (Ches)<\/strong> challenge and expand the positioning of urban development. They open up space and time through multiple vantage points: the city reconfigured through layers of buildings, where roads become rivers and rivers become roads, overlaid onto colonial maps of Saigon; or an organic anatomy of decay unfolding beneath the street surface. Through mythical elements\u2014worldmaking, imagined creatures, traces of local legends\u2014the artists treat the environment not as a background but as a living character, whose voice carries through cycles of growth and decomposition. <\/strong><\/p>\n\n\n\n

Tracing real communities and places across past and present, L\u00ea \u0110. Chung<\/strong> and Nguy\u1ec5n Th\u1ecb Thanh Mai<\/strong> employ different types of visual journals to record fragments of narratives in different geographical areas. Both follow the threads of history to recount ongoing consequences of coercion. L\u00ea \u0110. Chung exploits the layers of oil paint to foreground the unresolved absurdities in the life of a post-\u0110\u1ed5i M\u1edbi migrant community, who dwell on the remains of an abandoned factory in L\u00e2m \u0110\u1ed3ng. On the fragility of notebook paper and carbon paper, Nguy\u1ec5n Th\u1ecb Thanh Mai whispers the silent relationship formed between humans and the amaranth, which resiliently carries the violence that haunts Vietnamese-Cambodian survivors of forced displacement under the Khmer Rouge from Kampong Chhnang (Cambodia)\u2014a community still being displaced today. If L\u00ea \u0110. Chung records the rumbling conflicts of another enforcement that continues on post-colonial ruins, Nguy\u1ec5n Th\u1ecb Thanh Mai exposes memories through the very body of materiality itself. <\/strong><\/p>\n\n\n\n

Fleshing out their own fantastical realms, Huy\u1ec1n D\u01b0\u01a1ng<\/strong> and L\u00ea Nguy\u1ec5n Minh Nh\u01b0<\/strong> show that to dream is not to escape reality, but to remain within it. Turning inward, their works carry fragments of materiality, memory and history into dreams. Smooth brushstrokes masking layers of dark colors, Huy\u1ec1n D\u01b0\u01a1ng constructs absurdly flat worlds where tomorrow is still today, mountain is equal to tree, and oracles from 6PM sleeps are delivered through human-faced creatures and upside-down fallen angels. A humorous desacralization, she lays bare the clashes of Western and Asian aesthetic structures, affirming absurdity manifests both reality and fantasy. L\u00ea Nguy\u1ec5n Minh Nh\u01b0 traces back the journey of being in the world and post-production society through the chain of Buddhism dependent origination. Treating silk both as a fragile surface and a land of accumulation, where every intervention leaves a trace that cannot be erased, she lays down dense passages of color, sharply meta lines and a samsara of relations. Coiling, intersecting and persisting, causes and conditions interchangeably weave together through a collection of semi-realistic fragments. As life threads through the log inside the claw machine, she exposes birth as a process of production, where desire is shaped before a life begins. <\/p>\n\n\n\n

Obliquely mysterious, playful and sometimes poignant, yet more truthful than any master narrative, their paintings offer fiction and fractions as ways of archiving and existing otherwise.<\/p>\n\n\n\n

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ABOUT THE ARTISTS<\/p>\n\n\n\n

Sophia Mai Brown<\/strong> (b. 2000, Vietnam) is an artist based in New York City, working in drawing and printmaking. Brown maps interactions between the natural and the built world, connecting real landscapes with imaginary inhabitants. She is the recipient of awards including the Fulbright Grant and Manhattan Graphics Center Fellowship. Brown holds a BFA in Printmaking from the Rhode Island School of Design.<\/p>\n\n\n\n

Huy\u1ec1n D\u01b0\u01a1ng<\/strong> (b. 2001) is a multidisciplinary artist whose practice is drawn from personal experiences and everyday events. Trained in oil painting, she works across traditional materials\u2014including textiles, papermaking, and printmaking – as well as digital tools, circuit bending, and toy making, bringing these elements together within installation-based practices.<\/p>\n\n\n\n

Her current focus centers on creating spatial works responding to specific environments, integrating material, audio, and video components to deepen narrative and emotional resonance. Through the combination of handcrafted processes and experimental media systems, her practice investigates the relationship between material, movement, repetition, and sensory experience within space. Huy\u1ec1n’s works have been featured in the group exhibitions Birds [ ] Land [ ]<\/em> at B\u1ee5i Tre Collective (2026, HCMC, Vietnam), Harsh Touch<\/em> at Koganei Art Spot Chateau 2F (2024, Tokyo, Japan), along with solo exhibition the absurd cycle of everyday events<\/em> at Toong Coworking Space (2026, HCMC, Vietnam). She holds a BFA in Oil Painting from Tama Art University (Tokyo, Japan) and is currently pursuing an MA in Digital Media at the University of the Arts Bremen (Bremen, Germany).<\/p>\n\n\n\n

Thanh T\u00f9ng<\/strong> (Ches, b. 1998, Hai Phong, Vietnam) is a multimedia artist based in Ho Chi Minh City, Vietnam. His practice is rooted in observations of everyday street life in Vietnam, where urbanization continually reshapes landscapes, ecosystems, and indigenous belief systems. Drawing on fables, urban legends, and oral histories, he constructs speculative narratives to explore what remains in the wake of these changes, reconnecting people with forms of life and traces that are gradually disappearing.<\/p>\n\n\n\n

Thanh T\u00f9ng\u2019s works has been featured in groups exhibitions, including Birds [ ] Land [ ]<\/em> at B\u1ee5i Tre Collective (2026, HCMC), \u0110\u1ed3ng hi\u1ec7n tr\u00f9ng mi\u00ean<\/em> at Da Nang Museum (2025, Da Nang), Insomniaction Group exhibition #1<\/em> (2023, HCMC). In 2023, he presented his first solo showcase \u0110\u1ed9ng – A collection by Ches<\/em> (HCMC, Vietnam), and co-founded B\u1ee5i Tre Collective \u2013 an artist-run collective aimed at providing support for emerging experimental artists in Vietnam.<\/p>\n\n\n\n

Nguy\u1ec5n Th\u1ecb Thanh Mai<\/strong> employs various mediums such as drawing, installation, documentary film, video, and journalism to highlight issues spanning from personal narratives to broader themes of history and migration. Her works interweave research and experimentation, documentation and imagination. Exploring diverse subjects such as body, femininity, history, post-war, and migration, Mai’s art pieces are disjointed fragments that provide a window into the societal landscape she inhabits and passionately explores. <\/p>\n\n\n\n

Holding a Master of Fine Arts degree from Mahasarakham University, Thailand (2012), Mai currently serves as a lecturer at University of Arts, Hue University. She received the Pollock Krasner Foundation Award in 2014 and the Artist Excellence Award in 2021 from The Factory.<\/p>\n\n\n\n

L\u00ea Nguy\u1ec5n Minh Nh\u01b0<\/strong> (b. 1996) is among the few young artists in Vietnam who approaches Vietnamese silk painting through mineral pigments, rethinking a medium that has been closely tied to the aesthetics of transparent watercolors over the past century. Minh Nh\u01b0\u2019s works leave a lasting impression through mineral pigments resting on the silk surface like layers of sediments, giving the works a tangible material presence through which the viewers can feel the weight of time accumulated in each stratum. This approach redefines silk as an archival surface, where memories, dreams, and elusive sensations are recorded like ecological traces. It is a contribution that expands the possibilities of the medium beyond its conventional aesthetic language and toward the realm of material painting.<\/p>\n\n\n\n

The 2023 Dogma Prize marked a turning point in the critical recognition of Minh Nh\u01b0\u2019s visual language. Subsequently, the duo exhibition V\u1ecdng c\u1ea3nh (2023) opened a dialogue between her artistic practice and that of another artist. Since then, her presence at the Ho Chi Minh City Museum of Fine Art (2023), VCCA (2024),\u2026have continued to shape her practice.<\/p>\n\n\n\n

L\u00ea \u0110. Chung<\/strong> (b. 1990) lives and works in \u0110\u1eafk N\u00f4ng. With a multidisciplinary practice that includes painting, sculpture, installation, video, and performance, \u0110. Chung examines everyday events as well as working with historical and counter-historical narratives. Through this, he explores contradictions and the complexities of ongoing reality, along with the enigmatic descent of unresolved motifs and meanings from the past.<\/p>\n\n\n\n

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ABOUT THE CURATORS<\/p>\n\n\n\n

L\u1ea1i Minh Ng\u1ecdc<\/strong> is a young curator based in Ho Chi Minh City. Graduated in Social Studies and Art & Media Studies at Fulbright University Vietnam, she is taking small steps in curatorial practice, from which she views artistic practices as a multidimensional approach to social research. Her curatorial work explores the fragments of lingering issues, materiality and spirits woven under structural changes and movements, tracing the politics of representation in moving image work and films. Working across art organization, art festivals and residency programs, Ng\u1ecdc is interested in bridging artist development with critical engagement with local communities and landscape. She has worked in residency programs in Rare Sea and A. Farm, along with art festivals N\u1ed5 C\u00e1i B\u00f9m and Dealing in Distance.<\/p>\n\n\n\n

An Tr\u1ea7n<\/strong> works primarily with writing and film photography. Her interests lie in the uncertainty of life and traces of (non)human presence, with her photography works rooted in overland travel and a life shaped by distance and shifting cultural landscapes. Her broader practice includes curatorial projects, research, and writing on contemporary art, reflected through online articles and academic essays featuring artists and exhibitions.<\/p>\n\n\n\n

\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

fiction, fractionAugust 07 \u2013 October 04, 2026L\u00ea \u0110. Chung, L\u00ea Nguy\u1ec5n Minh Nh\u01b0, Nguy\u1ec5n Th\u1ecb Thanh Mai, Huy\u1ec1n D\u01b0\u01a1ng, Thanh T\u00f9ng (Ches), Sophia Mai Brown Opening Hours: 10:00 \u2013 18:00, Tuesday \u2013 Sunday, or by appointmentRare Sea \u2013 3 \u0110\u1eb7ng Th\u1ecb Nhu, B\u1ebfn Th\u00e0nh Ward, H\u1ed3 Ch\u00ed Minh CityFree admission Rare Sea warmly introduces fiction, […]<\/p>\n","protected":false},"author":274988734,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-3088","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PgZ9Ro-NO","jetpack-related-posts":[{"id":11,"url":"https:\/\/raresea.vn\/vi\/exhibitions\/","url_meta":{"origin":3088,"position":0},"title":"Tri\u1ec3n L\u00e3m","author":"RARE SEA","date":"15\/12\/2025","format":false,"excerpt":"fiction, fractionAugust 07 \u2013 October 04, 2026L\u00ea \u0110. Chung, L\u00ea Nguy\u1ec5n Minh Nh\u01b0, Nguy\u1ec5n Th\u1ecb Thanh Mai, Huy\u1ec1n D\u01b0\u01a1ng, Thanh T\u00f9ng (Ches), Sophia Mai Brown Opening Hours: 10:00 \u2013 18:00, Tuesday \u2013 Sunday, or by appointmentRare Sea \u2013 3 \u0110\u1eb7ng Th\u1ecb Nhu, B\u1ebfn Th\u00e0nh Ward, H\u1ed3 Ch\u00ed Minh City \u2192\u2026","rel":"","context":"B\u00e0i t\u01b0\u01a1ng t\u1ef1","block_context":{"text":"B\u00e0i t\u01b0\u01a1ng t\u1ef1","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/raresea.vn\/wp-content\/uploads\/2026\/08\/FB-Event.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":446,"url":"https:\/\/raresea.vn\/vi\/artists\/","url_meta":{"origin":3088,"position":1},"title":"Ngh\u1ec7 s\u0129","author":"RARE SEA","date":"12\/02\/2026","format":false,"excerpt":"Artists Noah Spivak Aliansyah Caniago Xu\u00e2n-H\u1ea1 Rab Ho\u00e0ng V\u0169 Sophia Mai Brown Lananh L\u00ea Nguy\u1ec5n Ho\u00e0ng Anh Nguy\u1ec5n Hi\u1ebfu Ng\u1ecdc Nh\u00e2n Phan V\u1ef9 L\u00e2n Huy\u1ec1n D\u01b0\u01a1ng Thanh T\u00f9ng Nguy\u1ec5n Th\u1ecb Thanh Mai L\u00ea Nguy\u1ec5n Minh Nh\u01b0 L\u00ea \u0110. 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